Event

“Reminding Future: Metal Silence 2019”

“Reminding Future: Metal Silence 2019”

For this year‘s International Artist Invitation Program, we will be hosting an exhibit entitled “Reminding Future : Metal Silence 2019" will be held on Fridays, weekends, and public holidays from Friday, October 18 to Sunday, November 17, 2019, at the Former Hakubutsukan-Dōbutsuen Station, a building in Ueno with historical value that received acclaim at last year's exhibition.
International artists invited to this year‘s event are two Spanish artists, Cristina Lucas and Fernando Sánchez Castillo. Cristina Lucas will exhibit "Unending Lightning", three-screen video installation masterpiece exceeding six hours showing an aerial map, tracing the citizens of the world victimized by bombings from the advent of air strikes to the present, based on the tragedy of Guernica in Spain. The history of the venue and the message of the piece come together in this exhibit. Fernando Sánchez Castillo will exhibit "Tutor", a new piece featuring a bronze tree that “survives even though it is about to break”, associated with the wide variety of trees in Ueno Park.
From how “steel weapons lead to death” touched on in "Unending Lightning" by Cristina Lucas, who reconstructs human history from the perspective of the voiceless, and from the wordless plant in "Tutor" whose silence is expressed in bronze, comes the title of this year’s exhibit, “Metal Silence”, which also represents the duality of metal.

Event Period
Fridays, Weekends, and Public Holidays from Friday, October 18 to Sunday, November 17, 2019
(*Open 11/4 , a substitute holiday) *16 days in total
Time
10:00 to 17:00
Venue
Former Hakubutsukan-Dōbutsuen Station Building (13-23 Ueno Koen, Taito-ku, Tokyo)
  • *Free admission
  • *Admission may be restricted.
  • *Content is subject to change.
  • *Because the facilities belong to Keisei Electric Railway, work may not be available for viewing during railway-related emergencies.
  • *Wheelchair users can see up the front of the stairs at Former Hakubutsukan-Dōbutsuen Station Building.
Organizers
Implementation Committee for New Concept "Ueno, a Global Capital of Culture”, Arts Council Tokyo,Tokyo Metropolitan Foundation for History and Culture
*This project is supported by the Agency for Cultural Affairs Government of Japan in the fiscal year 2019

About the Venue

Former Hakubutsukan-Dōbutsuen Station

Former Hakubutsukan-Dōbutsuen Station

Photograph from 2018 "Wondering into the Rabbit Hole"

Opened in December 1933 as a Keisei Electric Railway station.
Since the planned construction site for the station building at the time was an imperial estate, construction began following an imperial decision by the Showa Emperor, and perhaps it is because of these circumstances that both the interior and the exterior have a solemn, Western-style design. After opening, it was used as the nearest station to the Tokyo Imperial Museum (currently the Tokyo National Museum) as well as Ueno Zoological Gardens, but closed in 1997 following a decrease in users, and was abolished in 2004.
Later, on April 19, 2018, it was the first railway facility selected by the Tokyo Metropolitan Government as a Historical Building for its historical value, especially in terms of landscape. A partnership was signed in June 2017 between Keisei Electric Railway and Tokyo University of the Arts. The interior of the station building was renovated and reopened to the public(Not public except during events), with new entrance doors designed by Katsuhiko Hibino, general producer of UENOYES and head of the Faculty of Fine Arts at TUA, and artwork was exhibited as part of Ueno Cultural Park’s 2018 project.

Invited Artists Profile

Cristina Lucas

Cristina Lucas

Cristina Lucas was born in Jaén, 1973. She studied at Complutense University of Madrid and the University of California Irvine, then was a resident at Rijksakademie and at ISCP, New York. She currently resides in Madrid. Using multimedia such as photography, video, installation, drawing, and performance, her work explores the possibility for different readings of history and offers better explanations of the present.
One piece focuses on the relationship between religion and art, with her as the artist speaking to three ministers, with light social satire interwoven into video showing how, even though the preachers are ignored by passers-by during Times Square rush hour, they continue to talk about the power and importance of art. With performances of her smashing a replica of Michelangelo’s Moses statue with a hammer, urging viewers to uncover the secret to their own creation, and video of the goddess in Delacroix’s “Liberty Leading the People” played by a half-naked young woman that ends tragically with her being beaten by the men, she raises the issue of gender discrimination in history and art history. "You Can Walk, Too” (2006), shown at the “Astonishing Reality” exhibit at the Museum of Contemporary Art, Tokyo in 2014, is a comical video of a village dog walking around town on its hind legs, which incorporates irony of women who force themselves to behave like men and toward men themselves. Lucas’s thrilling and critical works have received wide acclaim and are featured at exhibits worldwide.
Lucas received international acclaim for "Pantone-500 + 2007”, a two-dimensional world map tracing changes from the 5th century BC to the present, on collection at the Pompidou Centre in Paris. Her exhibit at Ueno Cultural Park Hakubutsukan-Dōbutsuen Station is also based on a map, showing the grand history of the human race that encompasses politics, social structure, and state power.

Major Solo Exhibits in Recent Years:
2008 Talk, Stedelijk Museum, Schiedam, Netherlands
2009 Light Years, Centro de Arte Dos de Mayo, Madrid, Spain
2014 Is Capital, Matadero Madrid, Spain
2016-17 Trading Transcendence, Grand Duke Jean Museum of Modern Art (Mudam), Luxembourg
2016-17 Global Edges, OK Center, Linz, Australia
2017 Stains in Silence, Sala Alcalá 31, Madrid, Spain
Major Group Exhibitions
2008 Sao Paulo Biennial, Sao Paulo, Brazil
2010 Liverpool Biennial, Liverpool, England
2011 Mercosur Biennial, Porto Alegre, Brazil
2018 Manifesta 12, Palermo, Italy
2018–19 Shanghai Biennial, Shanghai, China
2019 Ural Industrial Biennial, Ural Federal District, Russia

Her work is in public collections such as Luxembourg MUDAM, Center Pompidou, Paris, Van Abbemuseum, Eindhoven or Kiasma, Museum of Contemporary Art in Helsinki among others.

Fernando Sánchez Castillo

Fernando Sánchez Castillo

Fernando Sánchez Castillo was born in Madrid in 1970, he currently resides in Madrid. He studied fine arts at Complutense University of Madrid, philosophy at Autonomous University of Madrid, and also studied at the École nationale supérieure des Beaux-Arts in Paris. After a residency at Rijksakadamie. He is part of Research Team of United Nations Geneve, PIMPA (Memory , Politics and Art Practices). Spending his childhood under the Franco regime, Castillo has a keen interest in social and historical events, analyzing factors related to authority and representation and reviewing historical discourse from different angles, and expressing this through sculpture, painting, and video.
"Architecture for Horses” (2002), in which a gentleman in a suit atop a white horse gracefully strutting about the university building, was part of the Astonishingly Real exhibit at the Museum of Contemporary Art in Tokyo and even became the poster for the event, and shows how his university was designed under the Franco regime for riot squads to be able to enter on horseback to quell student demonstrations. "Pegasus Dance” (2007), in which water cannon trucks normally used to break up demonstrators perform a magnificent dance while spouting water, has also been shown at the museum as part of a group exhibition. A precision robot made for handling hazardous materials draws an abstract painting, like the marvelous images created in Marcel Duchamp’s “Ready Made”, expand playfully and artistically on machines and devices needed only in serious social situations to bring about a change in values and to expand the realm of art. He is working on the “Minor Hero” series, creating figures of a young man standing before tanks at Tiananmen Square in China using a 3D printer, another piece themed on revolution and resistance to oppression. Monuments, records, public places, and traditions serve as tools for revealing the recent past. Scrutinizing the relationship between art and authority calls to memory historical groups and examines the structure of powers and symbols that still dominate society.

Major Solo Exhibitions in Recent Years
2010 Parti de la Peur, Centre d’Art contemporain, Geneva, Switzerland
2015 Beyond, CA2M Centro de Arte Dos Mayo, Madrid, Spain
2016 Today Was Another Sunny Day, Sala de Arte Público Siqueiros, Mexico City, Mexico
2016-17 Introduction to the Stone of Madness, Design Museum Den Bosch, Hertogenbosch, Holland, etc.
Major Group Exhibitions
2010 Istanbul Biennial, Istanbul, Turkey
2013 Goteborg Biennial, Goteborg, Sweden
2016 Manifesta11, Zurich, Switzerland
2018 Riga Biennial, Riga, Latvia
2018 The Jumble of Growth, la Galleria Nazionale d’Arte Moderna, Roma, Italy
2018-19 Shanghai Biennial, Shanghai, China
2020 Costa Rica Biennial

His work is included in public collections at the Centre Pompidou, Museo Nacional Centro de Arte Reina Sofía, Grand Duke Jean Museum of Modern Art (MUDAM), the Centraal Museum in Utrecht, and more.

Exhibition works1

Cristina Lucas

Artwork Title "Unending Lightning"

Artwork1

From Manifesta12Casadel Mutilato,Palermo2018

Artwork2

The exhibition piece was created through five years of research, using big data and the help of experts all over the world. "Manifesta 12” hosted in Palermo, Italy last year was extoled as the pinnacle of the year in British The Guardian, and the video installation exhibited here has received high acclaim. The bombing of Guernica by German troops with whom General Franco was complicit with during the Spanish Civil War, which resulted in the deaths of many citizens, is famous in Picasso’s work as well. Lucas’s work, spanning six hours and three screens to trace all of the victims of air strikes worldwide since the advent of air strike from1911 to the present, is her life’s work.
The left screen shows how many citizens were victims of air strikes and where, while the center shows close-ups of maps of the region and displays dots to show the scale of the bombing, and the right screen is composed of photographs of the event. For the exhibit in Japan, even more accurate data on Japan on the number of victims across Japan during World War II, including during the Tokyo Air Raids and the atomic bombings of Hiroshima and Nagasaki, will be reflected in her work through cooperation with Masahiko Yamabe, Senior Researcher at the Research Office for War Damage in the Institute of Politics and Economy of the Center of the Tokyo Raids and War Damage in Koto Ward.

Exhibition works2

Fernando Sánchez Castillo

Artwork Title "Tutor"

Artwork1

"Tutor"

Ueno Park is a treasure trove of diverse trees."Tutor", a new piece inspired by this Ueno forest, is zig-zag sculpture of thin bronze branches that seem like they might break. Even planted trees growing into big trees could wither and die from illness or pests. For example, in the history of Ueno Park, the Lawson cypress and evergreen magnolia planted in 1879 by the US General Grant and his wife are famous, and remain planted to this day at the Grant Monument near the entrance to the zoo. However, the Lawson cypress planted by the general has started withering and is currently undergoing treatment.
This new piece by Castillo expresses that trees, whose lifespans are longer than humans, are also affected by social and environmental change, and, like humans, have various ways of living, and asks what is health and what is normal, suggesting a tolerant and inclusive society.